Red Star, scarf, produced by Jacqmar, silk, 1940s, Courtesy Paul and Karen Rennie Collection, Folkestone
Shoja Azari The King of Black, 2013, HD Colour video with sound. Courtesy of the artist and Leila Heller Gallery, New York
Kasper Sonne, TXC99, 2014, Industrial paint and chemicals on canvas in aluminum frame, 60 x 48 inches, Courtesy the artist and The Arts Club
Photograph of Lynda Benglis 1970. Originally published in Life, February 1970 Photo Henry Groskinsky. Copyright Life Inc. Courtesy the artist and Cheim & Read, New York
Date taken: 1969 Description: American artist Lynda Benglis works on a commissioned project for the University of Rhode Island, Kingston, Rhode Island, 1969. The work involves poured latex paint for an installation at the university. City: Kingston State: RI Country: US cr: Henry Groskinsky/Time & Life Pictures/Getty Images OWNED
Photograph of rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music
Jack Greer, Finding Order 18, 2014 , Canvas, thread, latex paint. Courtesy the artist and The Arts Club
Annette Kelm, Espadrilles, U R MY BFF, LOL!, HOW R U, 2013, c-print, framed 77.3 x 63.7 cm. Courtesy Herald Street and The Arts
Lynda Benglis, Raptor, 1995-96 Stainless steel, wire mesh, silicone and bronze. Courtesy the artist and Cheim & Read, New York
Sean Lynch, Adventure Capital (2014 – 15), projected colour image, Courtesy of the Artist and Kevin Kavanagh Gallery, Dublin, Ireland.
Laurie Simmons, The Love Doll Day 31 (Geisha Close-Up), 2011, Fuji Matte Print, 101.6x76.2cm (40x30inches), Copyright the Artist. Courtesy Wilkinson Gallery, London
Orkhan Huseynov, The Prisoner (detail) from Atelier Sovetsky, 2014, video installation, HD1080p. Courtesy of the artist and YARAT
Sarah Lucas, Eating a Banana, 1990, b and w photograph, 74.9 x 81.9 cm, edition of 3 + 4 aps, copyright the artist, courtesy Sadie Coles HQ, London
Installation image of Borderlands with Zhanna Kadyrova, Untitled, 2014, Photo Sophia Schorr-Kon, Courtesy GRAD 
Work in progress Valkyrie Octopus by Joana Vasconcelos will be on display at MGM MACAU 15 March – 31 October 2015
“The Showroom has hugely benefited from ongoing advice from Jasmin Pelham and her team, who have a highly specialised knowledge of the contemporary visual arts landscape. Small non-profit organisations, such as The Showroom, do not usually have access to such expertise, and the resulting press coverage and benefits to our organisational profile are clear to see.”
Emily Pethick, Director, The Showroom
“Pelham really deliver exceptional results. They recognise the importance of being involved with our strategic business goals and develop PR campaigns that align with those objectives. They specialise in delivering a targeted approach that delivers results. The attention to detail, combined with their long term vision, means that they are constantly keeping us at the forefront of the artistic community’s consciousness. We can always rely on Pelham to go the extra mile.”
“Pelham has helped us develop our relationship with museums as part of our global communications strategy and they understand our media priorities. They are professional and creative with an ambitious approach to their work.”
Christian and Yasmin Hemmerle, Hemmerle
Working with Pelham over the course of our important 25th birthday year helped Wysing move to a new level of visibility among the media and beyond.
Donna Lynas, Artistic Director, Wysing Arts Centre
I first worked with Pelham as Curator of the Iraq Pavilion in Venice and was impressed with their work and the outstanding level of press coverage achieved. They are a well connected team who are professional and strategically thoughtful, which is just what we need, wanting to make the most of Ikon's 50th anniversary year. As an arts organisation in Britain but not in London, their development advice has been crucial and we are getting much more of the national and international recognition we deserve in the media!
Jonathan Watkins, Director, Ikon
Pelham are great, I've turned to them on the occasions I've had ideas that I wasn't sure how to light the fuse of. They're masterly fire starters of the most unthinkable projects and I admire that they place their trust there... in the unthinkable.
Ryan Gander, Artist
Pelham provided a consistently high level of service supporting us as we opened our London gallery and settled into the UK. We have an excellent relationship with the team, who clearly understood both our needs and that of our artists. They were generous with their contacts, introducing us to both press and collectors resulting in great exposure for us in our first few years. We couldn't have established ourselves in the UK without their support.
Angela Choon, Partner, David Zwirner
“The Pelham team combines the best expertise with the strongest commitment. They have integrated seamlessly with the Ronchini team and are always able to anticipate our needs and deliver beyond our expectations. It’s a joy to work with them - they are the ideal partners to have.”
Lorenzo Ronchini, Founding Director Ronchini Gallery, London
“Jasmin Pelham and her team provided an excellent service with highly effective PR strategy and attention to detail. By carefully researching and comprehending the nature of the exhibition concept and content they were able to attract great publicity interest through their network of media and art world contacts.”
James Putnam, Independent curator & writer